Wednesday, April 6, 2011

Dana's Thirtysomethingish Birthday



Birthdays.

For most of us, our birthday is an excuse to get together with family and friends, have a good meal, open a few gifts and blow out some candles on a cake. After turning 21, I became indifferent to birthdays, all I had left to look forward to was may auto insurance dropping at age 25 and I just didn't see any point to celebrating getting older. Sometimes I've woken up and actually forgotten it's my day of birth until I get a call from my mother wishing me a "Happy Birthday."

Dana is my diametrical birthday opposite; my sister will often begin planning her birthday party weeks in advance, sending out evites to hundreds of potential attendees. Her birthday is not commemorated by a single party, but a week long event of exquisite dinners starting usually around the 4th of April which culminates on her "official" birthday in either a swank Hollywood hotel or trendy club on April 10th.

Last year Easter fell on the 4th.
Dana upstaged Jesus.

This year I get an email from Tracina, Dana's co-producer, that they are holding a birthday party for my sister at the Hudson, one of those versatile bars that simultaneously appeals to both men and women. The Hudson may look like a converted train box car on the outside, but on the inside it's a meeting place for the society of good looking white people with great cheek bones; a pit stop for hipsters before they head out to the even trendier and swankier clubs in West Hollywood.

In addition to celebrating Dana's birthday, they'll also be watching a live broadcast of her latest TV show, Marcel's Quantum Kitchen, with both the cast and crew in attendance. Given the last minute invitation, Dana isn't expecting a big crowd, but then this is just the opening birthday event.

Phil's got an invitation, he lives nearby so I stop by his place and we walk over. Like most trendy Hollywood bars, at the Hudson you've got to pay for valet or spend 15 minutes in a vain attempt looking for free parking before finally giving up and paying the $6 for the valet. The Midwesterner in me would rather walk, so we decide to hike the distance, it would be a pleasant stroll except for the deluge of white people walking their dogs.

We pass by a pair of dog owners making small talk about their breeds, and Phil unsuccessfully tries to hide his disgust. "I swear to God the worst part about owning a dog is all the banal questions you have to suffer through. How old is your dog? What breed is your pup? Where do you have him groomed? It's the worst."

I nod in sympathy. Freaking white people and their small talk.

Phil and I have got better things to discuss, like the press release for his new novel, Ass Eyes in a Sea of Spec. http://bit.ly/iamxum As we debate the content of the press release we pass a dog owner walking his poodle; he fires off a withering glare. We're not Weho material walking pampered dogs that spend their days in doggie day care, we're writers.

There goes the neighborhood.

We get to the Hudson early to enjoy the last vestiges of happy hour. Fifteen minutes and two drinks later, both of us are in a better mood. I ask Phil if he were a drink, what kind of drink would he be?

"Probably a beer. Hoppy. Takes some getting used to, but after a while you'll love it."

"Rum and coke." I reply. "Sweet, easy going, piratey."

Marcel and the cast from his show arrive but Dana's nowhere in site. It's after seven but Dana will never be on time for her own party - in LA that's simply not done. I walk over and say hello to the cast, it's the third time I've met Marcel, the first being my 39th birthday where I made a request to my sister to have him cook me a dinner at Bazaar. (http://leiken.blogspot.com/2009/09/birthday-bazaar.html)

Calling Marcel a "cook" is like naming Einstein a "mathematician"; Marcel is a gastronomic force of nature, his kitchen a culinary laboratory. Marcel's Quantum Kitchen (MQK) is a reality TV show ostensibly about a Hollywood catering business, but the heart of the program is observing Marcel in his kitchen concoct dishes that defy the laws of culinary physics; noodles created out of blended wine, foie gras wrapped around cotton candy, desserts cooked with liquid nitrogen that cause smoke to billow forth from the mouth and nose - it's not cooking but science, or what Marcel refers to as "molecular gastronomy".

Originally a contestant on Top Chef, Marcel had developed a reputation for having an "attitude"; for being a vicious perfectionist with no empathy or pity for "lesser" cooks.

But I've tasted his cooking; its like eating a Picasso. I shake his hand, Marcel beams.

Chef, buddy, and fellow cast member Jarrid is sitting next to him. Covered in tattoos and wearing a leather jacket, Jarrid looks like he belongs in the Hell's Angels. He exudes almost manic energy, I bet he was pegged with ADHD as a kid.

I sidle up next to him. "I heard that while you were working as a bus boy at Bazaar you stole a prep chef uniform and showed up the next day pretending to be one of the cooks, is that true?"

Jarrid laughs. "Yeah, I wanted to learn how to cook, and it wasn't happening fast enough, so I just took one of the uniforms that had gotten back from the cleaners and showed up early the next day. I started prepping and it was like a month before anyone figured out that I wasn't a cook, I just wanted to learn. Marcel knew, but he didn't care. After the boss found out Marcel just took me in and now I work for him."

"That's amazing."

Jarrid shrugs. "Anytime I've wanted to do something, I just went out and did it. That's how I learned how to be a circus performer, fire eater, and trapeze artist."

I try not to gape. He was a circus performer? "Isn't that scary?"

"Anytime you do something new it's scary, everything's scary. But you just go out and do it."

My sister arrives, she's just had her hair and make up done and she looks like a movie star. "Would you believe that the guy who was doing my make-up was a former contestant on NEXT?" she exclaims. "I remember producing him and he was quite the prize, I mean they all wanted him. I was just afraid he was going to make me look like a drag queen."

"You look great, Dana," I reply. I'm a little surprised she isn't wearing a tiara, but then it is early. "Where's Christos?"

"He's up in San Francisco, but he had me bring wine." Dana withdraws a couple of bottles from a small winery located in Napa valley. We uncork it and it's delicious.

"If you were a drink, what kind of drink would you be?" I ask.

"Champagne," my sister answers.

I nod, my sister probably would be a bottle of champagne, sophisticated and sparkly. We order food and I devour a burger and sweet potato fries. It's one of the best burgers I've ever had, but then I'm really hungry and I am a burger whore.

A willowy woman with great cheek bones arrives, she looks like a model. Phil asks who it is, I'm not sure but I think its Marcel's super hot model girlfriend. I ask Dana.

"Oh, that's Shannon. She's Marcel's girlfriend, they met while she was modeling for the show."

I love it when I'm right. To get a woman like Shannon you'd have to be some kind of culinary genius with his own TV show. My sister didn't settle for anything less than 007; I'd date Christos and I'm not even gay.

"I was expecting a blog about the last party, but instead you wrote about your car!" Dana exclaims. "I still think you should name it "Teacher's Pet!"

"I'll write about this party next, I just need a couple of photos as proof I was here."


You need proof?" Marcel calls out, waving me over. "C'mon then, let's take a photo." We pose and I give my patented "thumbs up and wink" - Arrggh! Marcel picks up on it immediately and mimics it.

Dana begins opening gifts. I haven't gotten her anything yet because I've learned its better just to ask what she wants. Phil has brought her a Buddha board, a stylus that you paint with water that creates images, then over time disappear allowing you to use it over and over again. Dana claps her hands in excitement. "Where's your gift, brother unit?"

"I decided to wait."

"Phil got it right. Good job Phil."

I try not to glare. "Yeah, good job Phil."

More people arrive, many of them people Dana has worked with on other shows. My sister has a vast network of reality TV show contacts, its one of the reasons she is so successful at both finding work and getting shows produced. The Tonight Show, Howie Mandel, Beyond Chance, The Best Damn Sports Show, Christopher Lowell, NEXT, Ace of Cakes - there's more but I can't remember them all. Dana's birthday's are more than just a celebration, they provide her an opportunity to network, it's one of the reasons why it takes a week for her to get through her birthday.

Other than Facebook how else is she supposed to keep up with all these people?

The staff changes the channel on a big screen TV over to MQK but there's a Laker game on and the bar is packed, I can't hear a thing. As soon as the show starts the cast and crew cheers; I try listening for half a minute before giving up.

Dana arches an eyebrow in my direction, annoyed I'm not watching the show, but then hardly anyone is. The Lakers are playing the Utah Jazz and are on the verge of making a come back; the bar is filled with jubilant cries of exultation that drowns out any conversation more than two feet away.

At least until Kobe drops the ball with two seconds left and loses the game (I love it when the Lakers lose) but by this time MQK is almost over. I find my attention diverted between watching Marcel on screen, then switching back to glance at him in the bar; which one do I watch? TV Marcel, or flesh and blood Marcel? The same goes for the rest of the cast: Jarrid, Robyn, and Kevin; watching someone on TV while being able to simultaneously talk to them creates dissonance in the brain, how do I know which one is real?

We sing Dana happy birthday, there are cupcakes and she blows out a pair of candles. She's completely in her element, laughing, working the room as her friends and co-workers pay homage to the young woman who has become a celebrity in the nebulous world of production. The only thing better than being a star is being a star maker; and my sister has the contacts, experience, and creativity to make it happen.

If most people in Hollywood are talk, Dana is one of those rare few who can actually make it happen. Breast cancer didn't stop her, it wasn't even a yield sign, just a speed bump that barely slowed her down, she managed to produce MQK while going through chemotherapy. Like a gambler rolling straight 7's at the craps table, people surround my sister in the hopes that some of her luck will rub off on them.

Beautiful, fearless, exuberant, Dana is a phenomenon, a Hollywood singularity that continues to beat the odds because successful people like my sister generate their own luck.

If I had a motto it would be something like, "It's kind of crappy, but it's free," or "Send those squabs to Davy Jones' locker!"

But my sister only has one motto: Make it happen!

Before I head out I kiss her on the cheek. "I better still get a call on my birthday," Dana warns.

I nod. Woe unto those who forget my sister's birthday. D-day is not June 6th.

D-day is April 10th.



Happy Birthday, Dana.
Make it happen!












Sunday, April 3, 2011

The Death of Orifice


It took three seconds.

I'm pulling out of school, feeling good about heading home, when a 1999 Chevy Cavalier emerges like a white demon from behind a eighteen wheeler, colliding into my 2002 Honda Civic, ripping off the front of my car in an instant.

This is the same 2002 Honda Civic into which I had just poured a total of $3500 in a vain attempt to fix a continuously overheating engine; first a new radiator, but six weeks later almost a completely new cooling system: valve covers, thermostat, water pump hoses and starter after the car overheated on the highway. Three days later, the engine began to overheat again; a second mechanic informs me the first mechanic neglected to test for leaky valves; it's another $1500 just to fix what should have been fixed the first time.


A week after my Honda Civic is up and running I wake up to find "Orifice" missing; stolen out of my apartment car port by a pair of junkies who shatter a window and proceed to rip out the radio and collect a handful of change. The police find Orifice three blocks away with a valet key still in the ignition; I'm embarrassed but grateful my car has been found.


But truthfully, I no longer trust Orifice, she can break down for any reason and will open up her doors for anyone who wishes to take her for a spin.

Whore.


Three seconds, three lousy seconds of delay and I would never have been hit. After the accident I find myself wishing over and over how I wish I could replay the same three seconds, just set back the reality clock and take back what has just happened. The only good news is that I'm only a block away from the school, and teachers stop to help.

Owens offers me the use of her AAA membership to pay for a tow, I'm grateful because with all the mechanical problems I've had in the past four months I've used up my AAA membership limit for the year.


I have the car towed back to Orozco's. The head mechanic comes out and shakes his head, sad for my loss but happy for my business. I place a call to Seabourne and ask again if I can borrow her Toyota Corolla for a week until the insurance can come out and give me an estimate on the Honda.


Seabourne says I can borrow it for two. Give it up for Seabourne!

A few days later a State Farm Insurance agent contacts me, and given the age of my car and the damage it's a toss up - I can either pay the $1000 deductible, or they'll buy me out and total the vehicle.

"Just fix it." I respond, resigned.

"You haven't even heard our offer yet!"

Great. I've already looked up the blue book value of a 2002 Honda Civic, it's about $5000 in excellent condition. Given Orifice's history and with the deductible, I'm looking at possibly 3, hopefully 4 grand. "How much to total?" I ask.

"Minus your deductible, we're looking at $8,100."


What? 8,100, how is that possible?


I thank him and call my sister for a second opinion. She's just as shocked as I am, but tells me to take the money. Her husband seconds the motion.


I call back five minutes later and accept the offer to total the car. The next day an envelope arrives from Fed Ex with the necessary paper work. I fill it out and include the car title. Two days later I receive a check for $8,100.


For years I've thought about canceling with State Farm and going with different, less expensive insurance. Geico, Mercury, Progressive. Now I'm glad I've stuck with them.


The only question is what am I going to buy to replace Orifice? Normally, I'd just buy another Honda, for your money you won't find a better used car on the market, but they're also more expensive. Truthfully, I'm starting to think they're cursed.

I begin looking into alternatives. Something practical and inexpensive. I'd like a BMW mini, because it looks cool, but it's also tiny, practically a girly car. The Jetta, too gay. The Mazda 3, it's got some zip and power, but if it breaks the parts are more expensive. A friend out in Phoenix who buys and fixes up used cars for a living offers to sell me a Toyota Prius with 120,000 miles for eight grand, but the mileage makes me hesitate.


I consult with Parrish at work. "You got to be careful with the Prius," she argues, "that's a lesbian's car. Remember that cop movie, the one with Wil Ferrell and Mark Wahlburg?"

"The Other Guys."


"Right. The Other Guys. When they have to drive around in Ferrell's Prius Wahlburg keeps complaining it's like cruising in a vagina. What color is the Prius out in Phoenix?"


"Deep red. Scarlet."


"Brian," Parrish exclaims, leveling a stare at me. "Do not buy that car!"


The Ford Focus? Sorry, I know it makes me dangerously un-American but I'm not buying an American car, mostly because I believe them to be crap. The Nissan Sentra? Maybe...

Varga suggests I take a look at Hyundai's. "They're good cars."


"I always thought they were crap."


"They used to be crap, but over the past ten years I don't think that's true anymore. Plus they come with that crazy 10 year 100,000 mile warranty. Other than Kia no one offers that kind of warranty. No one. Take a look at the Hyundai Sonata, they're a sweet ride." The next day I drive up to Keyes on Van Nuys, it's that LA dealership that advertises like mad on the radio. "Keyes, Keyes, Keyes - Keyes on Van Nuys." The fact that they have ten different automaker dealerships within a half mile of one another cements my decision; I can test drive a bunch of different cars without having to drive half way around the city.

I go to the Hyundai dealership first, introduce myself to a young salesman and tell him I'm not thinking about buying, but I do want to test drive a Sonota. He asks how much I'm looking to spend. I tell him 14k and he offers up a black Elantra for 15,999.

I pull out my iPhone and do some quick research. The Elantra gets a 4.7 out of 5 on Edmunds. Consumer reports has picked the Elantra as one of the top six cars three years in a row. I check out Carfax - the Elantra has had one previous owner, who is returning it on a lease. No accidents.

Two hours later I'm buying a 2010 Elantra with 25,000 miles for 14k with the crazy 10 year 100,000 mile warranty at 4.9% financing. I get the low jack for an extra $500 - I've already had two car's stolen, if nothing else I want the piece of mind.

Piece of mind. I can't remember the last time I've driven in a vehicle and not been nagged by the ever present worry of having a mechanical failure or a break in. I've put in my time driving beaters and nags past their prime; I'm out of that game, I'm done. In the past I've always attempted to get away with driving cheaper cars, looking for a bargain, but in the end I always lose.

No more. Goodbye Orifice. Goodbye Pandora. It's only a matter of time before I get hit or have my car broken into or suffer a mechanical failure, but this time, I'll be ready. I've had the Hyundai a week now, and it's ride is smooth. It looks and feels like a modern, luxury vehicle.

Now it just needs a name? Suggestions?


Friday, March 4, 2011

Man on Fire

"A man can be an artist...in anything, food, whatever. It depends on how good he is at it. Creasy's art is death. He is about to paint his masterpiece. I have nothing else to say. - Rayburn, Man on Fire


My art is teaching. Like most men with delusions of grandeur, I'd like to think I'm something other than I am; a writer, a comedian, a pirate - the Indiana Jones of South East Asia. But my true craft, my genuine talent, lies withing the realm of teaching. It's a skill that's been honed through thousands of hours of practice in the heart of darkness, the inner city classroom, strengthened by teaching the inherently "unteachable" - Special Ed. Anyone can teach AP, but not anyone can teach those who choose to be wilfully stupid, the students who hate everything and everyone because secretly, they despise themselves.

If you can teach Special Ed in the inner city, you can teach anything.

I used to think I was ineffective, a fraud, a fake. No matter how hard I tried, no matter how many times I explained and re-explained, no matter how many hours I spent in review or helping kids with their homework, my students just didn't "get it".

But give me a class full of general ed students, and I transform - metamorphosing from a crude hockey player into an elegant figure skater, gliding through concepts with lectures and discussion that borders on high performance art.

Give me a class of honors and AP, and I am no longer a figure skater, but a God.

You are what you teach.

One of the tricks to teaching is learning not to take things personally, to quell your feelings and your emotional frustration: apprehension, rage, angst - gone. Like a bemused comedian in the middle of a routine, you are no longer an individual but an act, a persona that oscillates between unflappable royalty and Buddhist monk because no matter how good you are, you have to accept that some things are beyond your control.

No matter how hard you try, your students still have to be willing to learn and listen.

Sometimes you receive a question in class that is so far out in left field it came from the bleachers. I'm co-teaching in Duran's economics class, explaining how property values can decline in crime ridden areas when a question is tossed from outside the stadium.


"Mister," Fluffy asks, "What happens if a house is haunted? Does the property go down?"

Sigh, it's Fluffy. Duran takes to the plate first. "Well, then you have to call in the Ghost Busters."

The class laughs. "Ha ha ha, Mr. Duran." Fluffy says loudly. "Very funny. I know there is no such thing as the Ghost Busters."

Shrugging, I return to the board. A small interruption, no big thing.

"But seriously," Fluffy interjects, "what happens when a house is haunted?"

My turn. "Normally after the police ascertain a house is haunted, they call in the Bureau of Paranormal Activity."

The entire class looks up. Bureau of Paranormal Activity! What's that? "Seriously, none of you have heard of the Bureau of Paranormal Activity? Section 13?"

Fluffy sits forward. "Section 13! What do they do?"

"They investigate and solve paranormal crimes; hauntings, aliens, that sort of thing."

"How do you get into it!"

"You study to be a para-psychologist. They're specifically trained to handle ghosts. One of the ways they identify ghosts is by the ectoplasm they leave behind." I state offhandedly.

"How does one get to be one of those!" Fluffy pants, leaning forward.

The class is riveted. Time to crush Fluffy's imaginary dream. "Well, you have to go to college and get a degree in para-psychology."

Fluffy deflates. College. I might as well have told him he had to jump to the moon. "How come I've never heard of Section 13?"

"Talk to me after class."

Twenty minutes later, the bell rings and Fluffy's out the door, question and answer forgotten as he heads out to lunch, but the next day he approaches me with yet another question. "Mr. Leiken, I tried looking up Section 13 on Google, and I couldn't find anything."

"Well it's not like they are going to have Section 13 on the Internet!" I snort. "They don't want the public knowing about it."

"Oh." Fluffy replies, heading back to his seat.

It's probably the first time Fluffy has ever shown initiative when attempting to research a topic.

Later that week I show an English class one of my blogs; Top 10 Movies: 2010. Working with Castaneda, we've decided to dedicate one day a week to blog writing in an attempt to get the class to write creatively and work on self expression. On Friday I give them their first assignment, write one page about a movie or TV show they either loved or hated and explain why they either loved or hated the show or film.

On Monday I ask them to hand the assignment in. Out of forty kids, only eighteen turn in their work, and five of the eighteen turned in not papers but three sentence paragraphs. Curiously, the three Special Ed kids in the class have all completed the assignment.

"Can't we turn it in late, Mister?"

"Sorry, I don't accept late work."

"But you can't expect us to do work on the weekend!"

"Oh no, not the WEEKEND!" I exclaim, throwing up my hands. "Oh my God, the teacher assigned homework on the weekend. We're doomed, DOOMED!" I fall down to my knees, head raised as I beseech the heavens, sobbing. "Why, God, why? Why have you forsaken us? I can't believe you expect us to do homework on the WEEKEND! Why not just kill us now!"


The class is stupefied, not sure whether to laugh or look ashamed. I pop back up to my feet, grinning. "So, what can anyone tell me about constructive criticism?"

The next time I give an assignment, thirty kids turn it in. That's progress, I guess.

Good teaching is like telling a good joke; anyone can tell a joke, but not anyone can tell a joke effectively. Cracking jokes is not about the words, it's about the timing; a good joke is not just a set up and a punch line, but a story infused with personality. Teaching is the same way, anyone can recite facts and present information, but not everyone has the passion, the personality, the inner fire. A great teacher has a heart of flame, a soul animated not with a bonfire but an inferno, a tornado of enthusiasm that tears away the listless and mundane, a whirlwind that rips through the insipid red tape and brainless bureaucracy of standardized testing and meaningless rules.

Without the fire, you won't make it, there's a reason why teachers who have given up are referred to as burn outs. As the refrain goes from Damn Yankees, "You got to have heart, miles and miles and miles of heart." Hopefully, your flame catches a spark in those you teach and inspires them to be more than they are, not diploma approved CST automatons, but free willed thinkers who refuse to live in the cave of cultural conformity.

Writer, comedian, pirate; I am all of those things. But I am also, and always will be, a teacher. Everyday I teach in the inner city, I continue to create my masterpiece.

I am the man on fire.

Friday, February 25, 2011

Luck of the Irish

Orifice has been found!

My menopausal, 107,000 mile silver chromed Honda Civic, the car which recently cost $3,000 dollars worth of repairs has been found!

At this point I should probably thank God or something, but if God was responsible for me getting my car back, God also had to be responsible for sending a thief to steal my car. No, I'm chalking this up to dumb, Irish luck, the kind that gets you into trouble but also gets you out.

True, I'm not Irish, but there is no such thing as Jewish luck.

Turns out the thieves drove the car three blocks away and parked it at a more secluded parking complex to rip out the radio and rustle through my belongings. The police arrive at my doorstep to inform me of the good news; when the landlord of the other apartment building called the police to inform that my car was parked illegally and needed to be towed, they ran the plates and noted that it had been stolen.

"We tried calling you but you didn't answer your phone," the officer says in a monotone voice. (I was cleaning up a spill of fruit juice in the kitchen.) "You're lucky we stopped by your apartment, otherwise we would have impounded the car."

"Well, I'm glad you did!" I exclaim brightly.

The police offer to give me a ride in their squad car. The back seat of the squad car has no cushions, just hardened black, uncomfortable plastic with a bullet proof shield between me and the police sitting in front. Probably a lot easier to wipe up blood and vomit when you don't have upholstery to worry about.

We get Orifice and she appears to be in good shape, all except for the triangular shaped rear window on the passenger side, broken into a thousand tiny pieces; held in place by a thick, viscous black tape.

"What's the tape for?"

"It muffles the sound of the breaking of the window. It also prevents glass from scattering everywhere," the officer replies.

I open up the car door to find all of my change (approximately $4.50) my radio and my cell phone charger gone. A pirate hat lies in the passenger seat, along with a copy of Kavalier and Clay I've borrowed from Phil. I rifle through some papers scattered on the floor and find a Barnes and Noble's gift card I had forgotten in the glove compartment for $20.

Thieves never steal books; trust me on this. If you ever want to thief "proof" your house, just put all your valuables in books. Better yet, line books around the walls, they'll form an educational barrier of spiritual energy that no thief will dare to cross. A gift card from Target or Wal-Mart would have been snatched in a second, but a card from Barnes and Noble in ghetto world is foreign currency - worthless.

The police check my ID. "Sir, did you let anyone borrow your keys?"

"No."

"Well, we found a key in the ignition." The officer hands me my valet key, the one I had forgotten I had left in the car. "Were these in your glove compartment?"

I don't answer. Maybe? I feel stupid as a strange feeling creeps over me, unable to look the police in the eye. What is this strange sense of humiliation, I wonder? Oh that's right, I remember this sensations now, embarrassment! Not an emotion I'm accustomed to.

"Sir, you shouldn't leave your keys in the car," the officer drones on. "When you do that, you make it easy for people to steal your car." His partner smirks, but the subtext is clear.

Why are you being such a dumb ass?

They inform me I can drive the car home, but I should wait an hour before going on the road just to make sure the license plates have been taken out of the police system, otherwise I might get pulled over because another cop might think I've stolen the car.

I thank them and drive the car home. I call work to tell them the good news. Let slip about the keys - they crack up.

Hardy, har, har. Laugh it up, Parrish.

I call a mobile window repair shop. They come out a few hours later and replace the broken window in about a half hour. I marvel at the economic efficiency of it; in the span of a day I've had my car stolen, re-discovered through a computerized system, and repaired by a mechanic from a shop which specializes in fixing broken windows by driving out to peoples homes.

Car theft in LA isn't just a crime.

It's an economy.



Thursday, February 24, 2011

Cursed

My car has been stolen.

The silver colored Honda Civic, the chrome coated "Orifice" on wheels, my 107,000 mile menopausal vehicle that has just cost me $3000 in repairs, is gone. Vanished into the ether, disappeared into the urban void, in a single night transformed from my single most valuable possession into a few tiny particles of broken glass left behind from a broken window. Mr. Leiken presents his magnificent, magical, mysterious teleporting car; WATCH him effortlessly make it vanish.....

....now only if he knew where it had been "vanished" too.

I've mentioned how much I dislike cars, my sneering tolerance held in check by the apprehension of having to live without one. Like a doomed victim in a horror movie, I live under a geas, an automobile curse that torments me from the moment I purchase a vehicle through a series of endless repairs, costly upkeep, fender bender accidents and petty tickets; a bottomless pit of angst that ends in an orgasmic crescendo of horror the moment I discover my car is GONE.

When you have a car stolen it takes a moment for the facts of the situation to fit in; like a computer warming up it takes several seconds for the brain to register the empirical data presented before it, for the facts to become reality. Here's the sequence:

1. SURPRISE - Where is my car? I know I parked it here.
2. DENIAL - Someone must have moved it. I know it can't be STOLEN.
3. ANGER - Some Mutherf---r just took my car!
4. RAGE - I'm going to kill that Mutherf----r who took my car!
5. WHINING - This is so unfair!!!
6. BITTERNESS - I hate the world and all the lucky fools who still have their cars.
7. ACCEPTANCE - Time to write a blog about it.

I've gotten semi-accustomed to having my car being broken into and stolen over the years, possess an immune system toughened through a series of vehicular fiascos that enables me to process the emotional aspects expediently. I file a police report, call my insurance, walk out onto the street just to make sure the thief didn't take the car on a joy ride and leave it parked nearby.

Nope.

Not much I can do now, just have to suck this up and move on. The police officer informs me that a Honda Civic was stolen yesterday not more than a mile from where I live, that Honda's are the most widely stolen car in America.

Thanks for that, Chief.

He's right though, as great as they are, Honda's are a magnet for thieves, I can't afford to drive one because inevitably one day you won't have one to drive. What do I drive next? Do I buy a clunker and drive it until dies, or do I go to a dealership that's offering a low interest rate and no money down? Should I just forgo thinking about owning a car and lease? Perhaps I can work out a deal with a student and buy a car from one of their parents, almost every kid at my school has at least a parent or uncle who is a mechanic.

Except they all drive Hondas.

Perhaps I should just hoof it and try to take the bus...

No, not really an option. Not in LA. Not unless you want to completely give up your lifestyle and freedom.

Just because the horror movie ends, doesn't mean that you can't have a sequel - have to keep the franchise going. If my cars were horror movies they would have been titled:

PANDORA'S BOX
It looked like a good car, it was boon - a gift from father to son. Little did they know what lurked beneath the engine.

THE CAR THAT WAS TOWED
It was supposed to be a casual tow for a parking violation - but it ended in a total loss.

CABALLERO'S END
It was the car that was driven a thousand miles through Mexico and back without the protection of Mexican auto insurance. But the car Christened in Mexico was no match for the daily horror's of LA.

ORIFICE'S WHEELS
Lavished with money in upkeep and repairs, it was the car that was supposed to last, until one day it just simply disappeared.

And currently in development...

CAR FIVE (working title)
The story of a man who had suffered through a lifetime of bad relationships with his vehicles as he seeks a new vehicle.

My car was stolen.

I'm going to kill that MUTHERF----R!!!





Sunday, January 30, 2011

Orifice on Wheels

Car overheating,
Title just received in mail,
Four wheeled whore....

Cars are like relationships, there is never a good time for them to break down. In the United States, trying to live without a personal vehicle consigns you to public transportation, to living among the poor, to becoming a second class citizen. Sure you don't have to have one, but by not owning a car you'll be sacrificing both mobility and that most important of all American commodities, time.

Unlike most people, I don't like cars. I don't derive pleasure from driving them, I don't care what they look like, they don't validate my existence. The axiom: I own a Porsche, therefore I exist stands outside my spiritual frame of reference. In my world view a car must have two qualities, otherwise it is worthless.

1. It must get me from point A to point B.
2. It must be dependable and be low maintenance.

(Curiously, these are the same criteria I have for girlfriends.)

So when it comes to owning a car, my money has always been on a Honda, the Timex of the vehicular world. I have ten levels of experience of driving beaters; a lifetime of popped clutches, non-working breaks, dying alternators, dead batteries, overheated radiators, electrical shorts, failing transmissions, and blown fuses.

I have had one car stolen, five different radios ripped from three different dash boards, and a third car driven all the way from the East coast only to have it crumpled like an accordion while parked on the street in a hit and run my second week in LA. (Whereupon it was pushed into a red zone and towed without my knowledge for being parked illegally.)

Every altercation I ever had with the police or the authorities has been a direct or indirect result of owning a car. I've been harassed at least a half dozen times by police looking for DUI's. I have received tickets for speeding, a ticket for failing to yield at a stop sign, a ticket for running a red light, a ticket for a failed tail light, and a ticket for a missing front license plate. I have received more parking tickets then I have fingers and toes; tickets for expired meters, tickets for being parked the "wrong" way on the street, tickets for being parked during street cleaning, tickets for not reading the street signs properly.

No, I do not like cars. I have probably spent at least two years of my life long salary buying, repairing and maintaining vehicles, all for the privilege of owning a car.

In 2008 I bought a used Honda Civic with 65,000 miles for ten grand. My old Honda was on its last legs, and it was time to move on. For the past three years, the Civic has been good to me, or as good as any car can be to any owner. I had the breaks redone, a battery replaced, your standard oil checks, but the car appeared to be fine.

Until Thanksgiving. While driving up Escondido canyon to my sister's, the car began to overheat. I eventually had it towed to an auto shop near my house. The mechanic told me the radiator was shot and the thermostat fused to the engine, but for a mere $500, he could fix it.

For the next two months the car appeared to be fine.

Until last week. I was driving back from Riverside when I noticed the engine overheating. Worried, I got off at the next exit only to have the car die as I pulled into the gas station. Once again I took it back to the same mechanic, figuring since he already had experience with the car he would know what was wrong with it.

Instead he figured he should replace everything, including the plastic valve covers which had melted on the top of the engine. This time there is a new timing belt, a new water pump, and a new camshaft pulley and camshaft sensor, both of which had been causing the engine to vibrate. For $1400, I would have the privilege of being able to drive again.

For three days. But then the car overheated. Again.

This time the car overheated when I turned the heat on. Yup, you read that right. Overheated with the heater on. I turned the heater off and the car appeared to cool down. But while sitting still in traffic the engine began to overheat, again.

I've either just been ripped off by a mechanic, or at 107,000 miles my car has just officially hit menopause.

This time I'm at work when I call the tow truck. Ms. Seabourne, a fellow teacher at school, recommends a mechanic in Long Beach who is supposed to be fantastic. She even offers me the use of her car, a Toyota Corolla, while mine is in the shop. She has a second car she can use as a spare.

Most tow truck drivers in Los Angeles are Latino, so I'm a little surprised when the guy who arrives to pick up my car is African American. His name is Victor Jones, and he's a former NFL running back who played for eight years before shattering his knees. I ask him why he's driving a truck.

"Groupies, man. Groupies."

"You should come and speak to my students."

"I used to do that, man. Used to. But the most important thing you can tell your students, STAY IN SCHOOL."

When we arrive at the auto shop the second mechanic strides forward to shake my hand. I explain what has happened and that this time I want him to look over everything and whether or not the car is salvageable. He nods, telling me what he'll check, explaining that he wants to perform three different tests.

He starts by placing a blue tube of liquid over the radiator. "If this turns green," he explains, "that means there is a problem with your coolant."

We turn the car on and the liquid appears to remain blue, but then it begins to shift, turning bluish jade, before transforming into a rich shade of aquamarine . The mechanic whistles. "That took longer than it should, normally it turns green right away."

"Well, what does that mean?"

The mechanic begins to explain the inner workings of the engine. I'm lost within twenty seconds. I ask for a more simple explanation.

"It means that there is one of four things wrong with your engine. Three I can fix easily, but if it is a bad valve then I will have to replace a cap and that is expensive. I'm going to run some other tests, I need to make sure. I want to run the tests early in the morning when the car is really cold."

I thank him. He asks if I want anything from the refrigerator, a diet coke, water. "Do you need a ride anywhere? I'll have one of my men drive you."

I thank him but the teacher who is letting me borrow her car is picking me up. (Give it up for Seabourne!)

The next day the mechanic calls. It's a bad valve. It's going to cost me about $1600. I begin to silently swear, as I am now faced with the ultimate modern dilemma.

When an older car begins to break down, does one spend the money to fix it, or does one cut their losses and get a new car?

And I just made the last payment in December.

Son of a Bitch.

I'm about ready to say screw it, but then what? If I walk way I've thrown away not only a car but all the work I've already had done on the car. At least if I get it working again I can resell the vehicle and get something back for it, or keep it and hope that the car is fine for years to come.

The mechanic tries to reassure me. He tells me if I don't have the money, I can pay him in installments with no interest. He further claims that he'll stand by his work for 20,000 miles or two years, and that if anything goes wrong with the engine he'll fix it for free.

I double down.

I tell him to go ahead and fix it. I should get it back Monday.

I can live without a mate, I can live without a house, I can even live without a TV. But no matter how much I hate them and fear them, I can't live without the god damn car.

A car isn't freedom, its purified angst. Angst on wheels.







Friday, January 7, 2011

Snooki and the book signing





Snooki isn't a name. It's slang, a colloquialism of informal speech best used for stuffed animals and cute pets, a name befitting puggles and hamsters.

(My first pet was a hamster with a name ironically similar to "Snooki", I named him Snoochi - until he died of wet tail. There was a Snoochi II, III, and IV - they died of wet tail too. Don't ever name your hamster Snoochi unless you want them to die of wet tail.)

Nicole "Snooki" Polizzi, better known as Snooki, is a reality TV star from the hit show Jersey Shore, an MTV show about eight Italian roommates from New York pretending to be from New Jersey having to share a house together. There's Jenni "JWowww" Farley, Paul "Pauly D"DelVecchio, and of course Michael "The Situation" Sorrentino; Jersey Shore is a mash-up of MTV's the Real World blended with HBO's the Soprano's.

Four foot nine with poufed hair, fake tan, big boobs and enough mascara to rival a raccoon, Snooki is one of the more popular characters from the show. Snooki isn't pretty, most men wouldn't give her a second glance, but what Snooki doesn't have in looks she makes up for in humor. Girls adore Snooki because of all the cast members on Jersey Shore, she's the one most of them would like to hang out with.

She even has a book, A Shore Thing. Written by Snooki's ghost writer Valerie Frankel, A Shore Thing is a novel about a girl named "Gia" who resembles Snooki and has lots of hot sex with a beefy Italian firefighter named Frank. Valerie Frankel may have written the book, but Snooki gave her lots of ideas, and Snooki's face is on the cover and on the back, so it's almost like Snooki wrote the entire thing all by herself.

So why am I writing about Snooki, you ask? Good question. I'm writing about Snooki because I went to her book signing at the Grove.

When I saw the sign at Barnes and Noble promoting the book signing I immediately texted Parrish, who is a huge fan of Jersey Shore. I didn't think Parrish would want to go, but she texted me back almost instantly. "Let's Go!!"

What the hell, at least I'll get a blog out of it.

When you attend a book signing, most stores will demand you purchase a copy of the book from the store for the author to sign. Because Snooki is a high profile reality TV celebrity, Barnes and Noble is handing out alphabetized wrist bands along with brand new copies of the book for $26.95. Grumbling, I pay it. They won't let me stand in line with Parrish if I don't have my own book. We are given a flyer with a number of guidelines and rules:

. Posed photography WILL NOT be allowed. Photographs may be taken from the signing line only.
. Other memorabilia WILL NOT be allowed.
. Personalization WILL NOT be available.

It's only four o'clock, we've got some time to kill. We hit the Cafe Moza and people watch.

Two and a half hours later after eating a feast of fine french cheeses and bread and beer, we trek back into the store. People are already lining up, but I cut through to the front and find that because we purchased our wrist bands early, we can move past the majority of the people waiting. I estimate there is probably about three hundred people here, most of them young women with their mothers and a handful of hapless boyfriends.

A trio of teenage girls behind us begin giggling and screaming uncontrollably as soon as Snooki appears. "Snooki!" one of them screams. Snooki waves, escorted by an entourage of security guards, managers, agents, photographers and book store staff. She's short, tiny, would be forgettable except she is surrounded by the aura of celebrity, and that makes her the most envied person in the room.

"Oh my God!" one of the girls behind us gushes. "She is so short!"

"Quiet!" another girl admonishes her friend. "She'll hear you!"

"Are you girls from LA?" I ask.

"No, we're from Newport." (That's the OC.)

"Have you met anyone famous?"

"Well, we met the cast of Jack Ass!" the prettiest one titters. "But I'd really like to meet Justin Bieber."

"If I met Justin Bieber I'd pee my pants," another girl cuts in. "Why are you here?"

"I'm writing a story for my blog."

Her eyes go round. "You have a blog! Are you someone famous?"

Parrish gives me the eye, trying to hide her smirk. I sigh, oh the lies I could spin, the lies I could spin. "No, I'm not famous. Only in my own head."

Snooki comes back out and girls at random begin screaming, WE LOVE YOU SNOOKI! A member of the staff opens up a copy of the book, instructing us to have the novel open to the front page for Snooki to sign. I pull out my iPhone, attempting to figure out how to zoom in the camera. Should have checked that out earlier, because the line is moving forward like a water slide at the park, people being processed in groups as Snooki signs her name over and over again in book after book in a bright pink pen.

There must have be at least fifty people in front of us, but the store crew has them filed past Snooki in under ten minutes. Books primed, we hand them to a store clerk who passes the books to Snooki. I try to get in close to take a picture on my phone, but security stops me.

"Sir, you'll need to turn off that phone. No camera's past the line."

I shut it off. Risking my phone to get a close up of Snooki just ain't worth it.

As I walk up for a brief moment Snooki and I glance at one another. I permit myself a polite smile, and give her a small nod. To her credit, Snooki doesn't pretend that I'm some super fan who has been just dying to get a chance to meet her. Beneath the make up, the tan, and the poufed up hair, she looks tired, weary, a five minute celebrity running a marathon because the moment she quits, it's over.

She signs the book, and I move on.

As we exit a member of the staff cuts off and collects our wristbands, preventing us from selling or giving them away to other people.

"Wow, I can't believe we met Snooki!" Parrish exclaims. "I can't wait to read this ghost written book! What are you going to do with yours?"

"Not sure yet," I reply. Tax write off maybe?

The inanity of fame; how could someone like Snooki, a girl with no talent, accomplishments, or beauty, become an instant celebrity? Snooki is a celebrity precisely because she has no talent, accomplishments, or beauty - she's the young woman many identify with because they all think they could be the next Snooki.

You don't need skill, or intelligence, or looks to be famous; just timing and luck. Who wants to be the next lottery winner, step right up and get a chance to meet Snooki, buy her book! Maybe some of her fame will rub off on you!

Snooki. Like everything else in this country, she's instant and effortless, even her name is disposable. Cultural fast food to be consumed and forgotten. But hey, at the end of the day she's $26.95 ahead, because I still ended up buying her book...

Definitely a tax write off.